1, How is Rome, Open City ("ROC") a neorealist film and how does it disregard the conventions dictated by neorealist precepts? Measure this film against the various aesthetic and narrative criteria discussed in the course video and in the assigned readings. When you argue that ROC is not a "pure" neorealist film, consider the signifiance of this deviation from the aesthetic code of neorealism. Why does ROC not adhere to neorealist conventions perfectly?

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