6. In what way are copyright owners from foreign countries favored over copyright owners whose works originate in the United States?

7. Why is the United States concerned about the prospect of offering copyright protection to databases compiled through time and effort? 9. What is the role of the U.S. Trade Representative (USTR) in protecting copyright? 10. A foreign work fell into the public domain in 1975, at the time that the United States required a notice of copyright. What is the status of this work? Would your answer be different if the work was one of U.S. origin?