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III. Figured bass Realize the figured-bass continuo part on the grand staff. Use keyboard style (three voices in the right hand, the bass line provided in the left) and a whole-note harmonic rhythm (half notes in m. 57). If necessary for proper voice leading, you may temporarily reduce the texture to two voices in the right hand. Write a Roman numeral analysis beneath the bass line. Antonio Vivaldi, Gloria, mvt. 1, mm. 50-61 50 6 5 54 58 51 52 6 5 56 60 53 55 59 57 61 3 What is unusual about the resolution ofthe harmony in measures 54-55? Part II _ Diatonic T--lgxr-nonv.n