How do Ono and Buescher view Disney's use of input from Native American consultants in the process of producing the animated film Pocahontas (1998)?

A. They view Disney's use of input from Native American consultants as token inclusion aimed at legitimating the cultural appropriation of the story of Pocahontas for their own economic agendas.

B. They view Disney's use of input from Native American consultants as a tool to increase the historical accuracy and cultural sensitivity of the film.

C. They view Disney's use of input from Native American consultants as a sign that the industry takes seriously the dangers of racism and cultural appropriation.

D. They view Disney's use of input from Native American consultants as a strategy for marketing the film in Native American communities.