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In what ways is Lyotards notion of the un-presentable at work in Francis Bacons paintings? How does Bacons understanding of the fact of appearance (rather
In what ways is Lyotard’s notion of the un-presentable at work in Francis Bacon’s paintings? How does Bacon’s understanding of the fact of appearance (rather than seeing appearance as the representation of something that has a factual existence) relate to the un-presentable in Lyotard?
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