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Leni Riefenstahl's cinematographic techniques in Triumph of the Will were revolutionary because: She put cameras on tracks She did not use a commentator She put
Leni Riefenstahl's cinematographic techniques in Triumph of the Will were revolutionary because: She put cameras on tracks She did not use a commentator She put cameras on elevators All of the Above 
Leni Riefenstahl's cinematographic techniques in Triumph of the Will were revolutionary because:
She put cameras on tracks
She did not use a commentator
She put cameras on elevators
All of the Above
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