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RU BRD ? 1 The text message from Ashok stood out in bold block letters on the small screen of Josh Lewis s iPhone. Am
RU BRD
The text message from Ashok
stood out in bold block letters on the
small screen of Josh Lewiss iPhone.
Am I ever, Josh thought, stuffing
the device back into his pocket and
emphatically rolling his chair away
from his PC and the backlit spreadsheets
and formulas that had made
his eyes bloodshot and his mood sour.
He stood up stretched, and took a
minute to consider his plight: For the
past three days, hed been crunching
US and international fi lm sales, attendance,
and merchandising fi gures
nonstop for his boss, Sarah Bennett,
the marketing chief of the movie division
of Rising Entertainment. Bennett and her team were in
the midst of prepping the promotions, advertising, and branding
plan for the next Fire Force Five fi lm; her presentation to
the companys CEO, its head of distribution, and other unit
leaders was planned for Friday.
Two more days many more hours, many more stats to go
over before I sleep, the yearold marketing associate estimated.
He plunked himself back down in his chair.
A recent graduate of the University of Southern California,
Josh had had visions of making fi lms that off ered strong
social commentary like Al Gores An
Inconvenient Truth or Morgan Spurlocks
Super Size Me and distributing
them on open platforms so that
his message could reach the greatest
number of people. With some
championing from his uncle a wellregarded
TV producer who knew
people who knew people Josh
joined Rising Entertainment, one of
the top three multimedia production
and distribution houses in the
world. The company boasted large
fi lm television, home video, music,
and licensed merchandise units, with
a catalog of thousands of properties.
Josh expected that the studio, with
its location in the heart of Los Angeles and satellite offi ces in
six countries, would off er plenty of excitement and opportunity
everpresent TV and fi lm shoots on the lots, hobnobbing
with industry power brokers, the inevitable off ers from competing
studios, and, of course, the terrifi c LA nightlife. But now,
with months on the job, and most of that time relegated to
mundane, ancillary projects that informed the bigger initiatives
his boss was spearheading, Josh was feeling numb. Who
would have thought that life in a big movie studio could be
Are
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