If you have access to a guitar, try generating some of the higher harmonics using the technique discussed in section 15.3.
a. How many higher harmonics can you produce? Do the locations of dots on the neck of the guitar provide guidance on where to place your finger?
b. Try plucking the guitar in the usual fashion and also much nearer to the bridge. Can you hear higher harmonics in the tone produced? How does the tone differ in these two situations?
c. If you have access to harmonic analysis equipment in your physics lab, compare the harmonic spectrum produced by plucking a string in the two positions described in part b.