Film stars who perform on Broadway usually sign the standard Actors' Equity "run of show" contract.

Question 1 options:

	True
	False

Question 2 (1 point)

The types of stage play ownership are:

Question 2 options:

	sole ownership, joint work ownership, and made for hire ownership
	sole ownership, derivative ownership, and multi-author ownership
	underlying work ownership, legitimate stage ownership, and audiovidual rights ownership
	none of the above

Question 3 (1 point)

Which of the following is most correct, concerning playwrights and screenwriters?

Question 3 options:

	Both plays and screenplays are usually assigned to producers as works made for hire
	Screenwriters and playwrights both maintain economic control over their works, and do not assign all rights to producers
	Playwrights retain artistic control over the play, but screenwriters do not
	Screenplays are usually licensed to multiple productions in multiple media, but plays are licensed only for single stage productions

Question 4 (1 point)

Which of the following is not correct about Dramatist Guild Approved Production Contract advance option fees?

Question 4 options:

	if the play is produced, the option fee is recouped before any additional royalties are payable
	even if the play is not produced, the option fee is nonrefundable
	the amount of the option fee is entirely negotiable between the producer and the playwright
	a producer can pay multiple option fees to obtain multiple production rights

Question 5 (1 point)

Which of these terms would not be standard when negotiating a legitimate stage director contract?

Question 5 options:

	the right to direct subsequent productions produced by the same producer
	a negotiated flat fee compensation
	a standard 6% share of the gross weekly box office receipts
	the right to direct a play that transfers from a second-class theater to a first-class theater

Question 6 (1 point)

The classification of "Broadway" theaters is:

Question 6 options:

	all theaters in New York City of greater than 599 seats
	theaters physically situated on Broadway in New York City, regardless of house size
	all theaters in New York City located between Greenwich Village on the south and Harlem on the north, but not including Lincoln Center, Alice Tully Hall, or the Metropolitan Opera House
	the 40 theaters in New York City located between north of West 41st, south of West 53rd, west of Avenue of the Americas (6th Ave) and east of Ninth Avenue, plus Lincoln Center

Question 7 (1 point)

The key point in analyzing whether a play is a joint work within the meaning of the Copyright Law is the intention of the writers at the time the writing is done that the parts be absorbed or combined into an integrated unit.

Question 7 options:

	True
	False

Question 8 (1 point)

Workshop and developmental production rights are only granted pre-Broadway.

Question 8 options:

	True
	False

Question 9 (1 point)

A royalty pool for a Broadway play divides the weekly profits among the author, director, designers, producer, investors, and possibly theater owner, after weekly running expenses are paid.

Question 9 options:

	True
	False

Question 10 (1 point)

"Primary" theater producers produce stage productions in which types of theaters?

Question 10 options:

	first-class or second-class productions, and non-profit regional theaters
	stock, bus-and-truck, and amateur theaters
	only theaters who are members of the League of Resident Theaters
	high school, college, university, and other educational institution theaters