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ninis C atd.accuplacer.org/#/administer BMO |Alpha Web Banking PayPal KB PayPal: KB6 Rogers KB S Skype KB WhatsApp CA In Linkedin Instagram Netflix 1 Gruel CAKE
ninis C atd.accuplacer.org/#/administer BMO |Alpha Web Banking PayPal KB PayPal: KB6 Rogers KB S Skype KB WhatsApp CA In Linkedin Instagram Netflix 1 Gruel CAKE diaries Passage Many professional musicians receive conservatory training in order to become well-grounded in formal theory and instrumental technique; however, when we approach jazz we are entering quite a different sphere of training. Here it is more meaningful to speak of apprenticeship, ordeals, initiation ceremonies, and rebirth. For after the jazz musician has learned the fundamentals of an instrument and the standard techniques of jazz, such as intonations and traditional styles, the musician must then find his or her soul. All this through achieving that subtle identification between the instrument and the musician's deepest drives, which will allow for the expression of each artist's distinctive voice. Adapted from Robert G. O'Meally, The Jazz Cadence of American Culture. 91998 by Robert G. O'Meally Question The last sentence of the passage primarily emphasizes which point about jazz? O Jazz is hard to define and varies greatly among performers. O Years of training are needed to hone a jazz musician's skills. O Jazz performances are comparable to paintings and sculptures. O Playing jazz is a highly personal and creative activity
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