the 1942 Michael Curtiz film Casablanca. In the film, a woman (Ingrid Bergman) fleeing Nazi-occupied Europe with her husband meets her old lover Rick (Humphrey Bogart) in the Moroccan nightclub he owns.

Describe how at least four distinct elements of the sequences’ mise-en-scene, lighting, editing, cinematography, and/or sound reveal this to be an aesthetically typical Hollywood film of the early 1940s. How can you tell this is a 1940s Hollywood film just from what you see here?