Vital Stories: Soulpepper Theatre Company

1. In her role as executive director, Emma Stenning brings an impressive resume, much of which is directly relevant to what she will face at Soulpepper. What is at stake for her and what should her plans for Soulpepper consider? Going forward what will be essential for her to address?
2. Weyni Mengesha also brings an impressive career to her role as artistic director. What does she want to do? What is at stake for her?
3. As chair of the board, Vanessa Morgan has inherited a host of problems, many of them very unexpected. What do you see as her governance concerns in managing the situation?
4. What tensions do you see that need to be managed? What lessons can you draw on to help Soulpepper navigate those tensions going forward?