How do you think Pegge Vissicaro $($Studying Dance Cultures Around the World$)$ would characterize the workshops with Jacques D'Amboise and other faculty at the National Dance Insitutue featured in the first part of The Power of Dance? What sort of multi$-$culturalism $($Studying Dance Cultures Around the World, p$\mathrm{.}4)$ do we see there? Look closely at the details and interactions presented. Keep in mind that the video was filmed in the $1980\text{'}$s; some ideas about and symbols of multi$-$culturalism have shifted.