Laura Mulvey's "Visual Pleasure and Narrative Cinema" (1975) is a foundational essay in feminist film criticism in which she "argues that the spectator/spectacle relationship in cinema is invariably gendered. Psychic drives are shaped by the patriarchal boundaries of sexual difference, a process continually reinforced by myth and other cultural narratives" (Wooden 226). Mulvey proposes that we consider the functioning of three gazes, spectator, camera, and character and that film always functions in service to patriarchal ideology. Discuss 3 films that support Mulvey's claim and 3 more that problematize this theory. Use specific details of both Mulvey's theory and the films you choose.